New German Cinema pioneer Wim Wenders brings his keen eye for landscape to the American Southwest in Paris, Texas, a profoundly moving character study written by Pulitzer Prize–winning playwright Sam Shepard.

Ward&Kweskin captures lovers on the boards of Coney Island beach story for Sixteen Volume 11.

Todd Hido’s photographs are made during long, solitary drives. The main subject of his work is the American urban and suburban landscape, often photographed at night.

Shelby Lee Adams crisp, poignant images show the people of Appalachia in their simple environments, revealing both the heroic and grotesque side to secluded mountain life.

Made between 1986 and 1990, these photographs are classic Steinmetz: tenderness, humor, and humanism are all present here.

Erinn Springer shoots Minnesota's Duluth Women hockey team for Sixteen Volume 10.

Beginning in 1980, Merrick Morton set about going to East and South Central Los Angeles—traveling as far as San Diego—to document street gang culture.

When Brooklyn-raised photographer Joseph Rodriguez first debuted his body of work shot in Spanish Harlem in the 1980s, it changed the face of documentary photography.

Thalia Gochez shoots Sandy Avila president of Lady Lowrider Car Club in Pasadena.

Ward&Kweskin shoots Apache Skateboards team in Tuba City, AZ during the Western Navajo Nation Fair.

The city is made to get lost in. Some people disappear there by design, seduced by the freedom of anonymity, the chance for reinvention.

Xavier Encinas documents the American South West desert for Sixteen Journal Volume 8.