Deanna Templeton, The Swimming Pool
The series was born after an impromptu nude swimming-pool shoot of husband and artist Ed Templeton, which spurred an eight-year journey in the study of light, expression and the enigma of water.
Shooting entirely on color and black-and-white film and Polaroid, Templeton sent friends into the pool to be photographed in their truest form. Unlike her street photography, in which subjects were often strangers, Templeton found that creating these portraits required more intimacy and connection―a feeling that is apparent throughout every image in the series, which show strong, liberated individuals, confident and at ease in their most beautiful and vulnerable moments. As Ed Templeton writes in his afterword to this volume, "the nude swimmer is floating in a void of quiet solitude, the gentle pressure of being underwater enclosing her form like a baby in a womb and nothing exists outside of this world. A lone figure amidst a sea of blues and greys and frenetic sunlight performing a solitary dance for the photographer above, choosing movements and directions, twisting and swooping, contorting and expelling breaths painting a picture of form and light together." The Swimming Pool offers a deep and inspiring view of the human form.






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Gus Van Sant, Portraits
The film director's debut collection of portrait-photographs. Every subject is photographed in a frontal pose, taken at a medium-shot angle with minimal lighting.
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Joe Lai, Horā eiga ga sukidesu
Joe's style often draws inspiration from Japanese cinema, particularly 1960s-1980s horror and Pinku films, creating cinematic and often fictional scenes.
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Greg Girard, Asian Nights
Greg Girard spent much of his career examining the social and physical transformations in Asia, especially in its largest cities.